Kicking off the fall semester Adv V studio at GSAPP! Had a VR demo day for students in Futurecurrent: Envisioning Emergent Ecologies studio focused on a beautiful site in rural eastern Jamaica, and a screening
Check out the latest updates on our New York site in Gowanus, Brooklyn for 2100: A Dystopian Utopia in VR! New York, being a part of the eastern seaboard of the United States is now
Student work from our Envisioning Climate summer VR workshop led by Vanessa Keith and Andrew Homick is now up on YouTube and the Columbia GSAPP website, check it out! So proud of this fantastic group
See the latest updates on our Moscow site for 2100: A Dystopian Utopia in VR! Renewable energy is harnessed from wind turbines attached to city buildings and infrastructure, and also from the motion of electric
Truly honored to have NYCxDesign’s endorsement of our ongoing work further developing the worlds of 2100: A Dystopian Utopia in virtual reality. 2100: A Dystopian Utopia in VR will be an open world, massive multiplayer
Listen to the episode here!Ross Island, Antarctica, The Year 2180: Traveling by snowmobile down a typical street, a visitor to this outpost settlement sees a series of buildings in triangular clusters of three. The buildings
Check out the latest developments on 2100: A Dystopian Utopia VR project on our Brooklyn site. We are envisioning a world where every bit of the built environment has a role to play in safeguarding
Designing from an Afrofuturistic standpoint means centering perspectives that have been too often overlooked and which provide a dynamic way forward for us all in tackling the climate crisis. This wisdom is both ancient and
Afrofuturism and Indigenous Futurism offer powerful alternatives to the dominant world paradigm that is rooted in the exploitation and plunder of the Earth’s resources as inputs to a linear system of production. By envisioning humanity
“Why should we envision the future of climate change? What works?” An insightful conversation between panellists Vanessa Keith, Principal Architect of Studioteka; Dr. Elke Weber, Princeton University; Ruth Schmidt, Illinois Institute of Technology; and Patrick